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"Yea, I'm in too." Roger said rather feebly. The next couple of days we spent planning our heist. It was decided we would do this Friday morning. The bank would have extra cash on hand to handle the large number of people there to cash their paychecks. Roger would drive the getaway car. Jeff and myself would do the actual robbery. We chose a local bank that was near a major road so we would be able to exit the area swiftly. That time of the day should not be bad traffic wise. That Thursday night, Jeff slept over in the trailer with Roger and myself. The reasoning was it would be easier for us to get going in the morning, but I think he did not want Roger and I talking to each other about it too much. After all, we might change our minds. We spent most of the evening drinking beer and playing cards. There was really not much conversation about it, all things considered. It was almost hard to believe we were three guys who would be bank robbers the next morning. We went to bed that. Human figuresinteract with plants and inanimate objects as well as one another. In AnEnd to Waiting, several transvestites wearing nothing but stockings arepenetrated per anum by the tendrils of a flowering vine. Similarly, inJyllinge Girl, a flower grows from the small of a back, just below a pairof legs wearing stockings; bent at the knees, the legs combine to becomethe forearm of a woman holding a wand. The back above the buttocks formthe woman's left shoulder, which is extended straight out from her body.As the title of another work, Cello Woman, implies, a woman's upper bodyforms a cello. She has no legs, but is supported by a pair of bare feetthat grow at the bottoms of her severely truncated thighs. Reading from a sheet of music on a stand before her, she plays thestrings of herself, which emerge from her pubic region, run along thecenter of her midsection, and merge with the wooden neck of theinstrument that rests upon her left shoulder. This image is repeated,with a.
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